If you have been to Santa Fe, New
Mexico lately, the incredible expense of the things in the shops near the Plaza
may possibly have put you off as it did me.
It has become the playground of the filthy rich, who seemingly have
nothing better to do with their money than to clothe themselves from head to
toe in haute couture, eye-popping
jewelry and (of course) Lucchese boots and fill their palatial homes with
gorgeous sofas upholstered in rare Chinese robes. Further from the Plaza, we find affordable
baskets, designed by local folk but made in India.
But
only another half-block of walking brings you to real places: a real house, the oldest in North America,
part of a pueblo established long
before Columbus. Across the street from
that house is Mission San Miguel, the oldest surviving church in North America, where the stuff you
buy (if you must buy stuff) goes to fund a bell-tower strong enough to hang a
massive bell, cast four hundred years ago in Spain. They say that the sweet, true tone of the
bell (which you can ring for yourself) can be traced to the silver and gold
jewelry and plate that was put into the metal at the time of casting, offerings
of Spanish villagers who threw their prayers in along with them. It is a fine use for silver and gold jewelry
and plate, don’t you agree?
If
you have read Willa Cather’s Death Comes
for the Archbishop, you already know that bell: it is the one striking the Angelus when
Bishop Latour returns from Durango, the bell with a sound of the east to it.
And if you read the book as you
visit Santa Fe, suddenly the whole landscape of the region springs to life
in your imagination, or the book comes to life before your eyes. Because the reason for all that expensive stuff, of course, is that Santa Fe is
full of art. Georgia O’Keeffe worked not
far from here, in the gorgeous hills of Abiquiu and Ghost Ranch, not the first
artist to discover the area and by no means – all those studios on Canyon Road!
– the last. Finery has been made for thousands
of years, for that matter: the mountain
of turquoise near Madrid, NM that fueled continental trade for feathers from
Central America and seashells from the Gulf has been whittled down to mere
tailings, but still inspires local artists to make what they can with what they
have. The Santa Fe trail took stuff back and forth for much longer
than just pioneer times.
Along
that trail, at “the other Las Vegas,” we explored a town where the church
shrank into the background, where the lawless gringos had their way for a decade or so on a street lined with
dives with names like The Toe Jam Saloon.
Their Plaza once held a handy platform used for lynching drunken cowboys
or anyone else whom the people of Las Vegas, NM were too impatient to bring to
trial. But some others of those cowboys
became Rough Riders, and one of them saved the life of Teddy Roosevelt, as he
rushed up Kettle Hill and then San Juan Hill, that great lover of national
parks and the great outdoors… Today the Plaza is graced with a bandstand and a
stand of trees, a great old hotel, and a cool café with live music, where folks
make plans to go for a soak in the local hot-springs.
But
better than any and all hot-springs, art, six-guns or stuff is an hour in the company of a young father from the Santa
Clara (not its real name) Pueblo named Elijah. His other name translates to White Eagle Tail, and he is the best
possible guide to the Puya Cliff Dwellings, not far from Black Mesa, and just
across the valley of the Rio Grande from Santa Fe. His gentle, unironic way of speaking, his fond
references to his elders and his
pride in the ancestors whose ingenuity formed these dwellings in these cliffs
and protected them from raiders since time immemorial, all were worth the long
wait in wind and snow to hear. Ask him
about arrowheads, and he will tell you exactly how each arrow was made and why,
therefore, each one was shot with such care.
Each stripe on those sherds of pottery has a story of dye-making plants
and firing, and the whole landscape around furnishes both food and stories.
It
is a harsh, beautiful part of the earth, which the long-suffering meek have
nevertheless inherited.
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